This is where my passion for photographic processes and possibilities began, with a tourist snapshot and compelling imagery I'd not seen when I took the picture.
In 1976 I was learning to print and I knew that when a negative was nearly transparent the detail was lost in darkness. Looking through the lens of my enlarger I noticed, within a transparent place on the negative, suggestion of a shape below street level. I was intrigued and wanted to be able to see and print the details.
My curiosity resulted in learning how to create a paper negative and eventually to printing this image I called Sleeping Man. The grains of silver on my film had held the memory of something I'd not noticed.